Tyla Went Full Peacock in Custom Valentino at the 2026 Met Gala
Director of Photography: Nicolas Johnson
Editors: Jamie Gordon, Robert Mroczko
Producer: Ndeye Thioubou
Producer, On-Set: Kamaria Gboro
Associate Producer: Cristian Palma
Associate Producer, On-Set: Justine Ramirez
Assistant Camera: Daniel Sachun
Audio: Sean Paulsen
Production Assistant: Demaris Webster
CondéFuture Intern: Jasmeryn Reynoso
Stylist: Ronnie Hart
Makeup Artist: Ngozi Esther Edeme
Hairstylist: Yusef & Chris Salmon
Manicurist: Coca Michelle
Assistant Editors: JC Scruggs, Andy Morell
Post Production Coordinators: Holly Frew, Stella Shortino, Jessie Merten
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Production Coordinators: Tanía Jones, Skyy Forcer
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors
Entertainment Director: Sergio Kletnoy
Supervising Producer: Felicia Kelley
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Programming: Thespena Guatieri
Images Courtesy of: Dylan Pearce
Filmed on Location: The Mark Hotel
Released on 05/05/2026
[lo-fi music]
Hello.
Hi.
Hello, Vogue, it is Tyla.
Come and get ready with me for the Met 2026.
[lo-fi music]
[Speaker] You literally
just take a piece of chicken
and then you take the little spoon.
I like to do, like, a healthy scoop.
[Tyla] A healthy scoop.
[Both] Cheers.
I don't know.
It's just like a salty chicken now.
I mean, it's cool.
[crew laughing]
This year, I feel like I'm more calm.
The previous years I was like,
oh, my Lord.
Met, Met, Met.
This year I'm just like,
hmm, Met.
I'm with my usual glam squad, so, vibes,
easy, chill.
And it's a fun theme.
It's always fun seeing the people
that just go for it.
The people that come dressed as frames,
dressed with big balls on their head.
Like, they just go all out
and I'm always excited to go home after the night
and then, like,
see everyone's looks.
I always just liked dressing up
and playing dress up like with my sisters.
And my mother and I would always
watch the Met Gala
and, like, rate everyone's outfits.
But I think before
I started getting invited
to fashion shows and stuff,
I did not get it.
I'm not gonna lie.
Like I would see, like,
crazy outfits and be like,
really?
Like you're not really gonna wear that out.
But then when I started getting invited
to fashion shows
and I started learning, like,
from stylists and whatnot,
I just really fell in love
with how it is its own form of art.
So Valentino,
when I was speaking to Alessandro,
he was very inspired by the artist Erté.
I've never come across the artist before.
They were all beautiful,
but I was drawn to the peacock one
because, I don't know,
I just love animalistic things
and like rough things and feathers
and I'm really moving that way
for the album and everything,
so it just made sense.
Peacocks show their feathers
to display their beauty,
and fashion is inspired by just the world
and, like, nature
and things that, like, God created.
The earth is kind of God's artwork, so.
Hm, I'm eating this answer!
I went to his show.
Insane.
Like, literally when I saw the show,
I was like, yeah,
I wanna go to Valentino.
And we just did a lot of back and forth,
like with the color of the dress
'cause I really wanted something that would pop.
And I've been into turquoise
and, like, toxic colors and neons,
and I just feel like the blue was so perfect.
Initially,
the things hanging were like tassels
and then they managed
to make peacock feathers out of it.
When I wear the look,
I really feel like a statue.
You know, like goddess vibes, like,
literally like an artwork.
I love when my body is the outfit.
I don't know, it's just so Tyla,
and it just fell into place so nicely,
you know?
So I'm excited.
[calm music]
Hi, I'm Ronnie.
I'm Tyla's stylist.
I am styling her for the first time for the Met,
so it's a special night.
This look is sort of like a custom version
of a couture look that we saw in Paris.
And the collection was incredible
and it was very dramatic,
but we wanted to incorporate
his inspirations right now.
Only Tyla could wear something like this,
like it's very daring,
it's very revealing,
it's very body,
but it's also still chic and fashion
and elevated
and still very Valentino.
And like she said,
like, yes,
the body is the outfit.
As you can see,
there's not much fabric here,
but the way that it sits on her body
and the way that it accentuates everything
really fuses the whole costume art,
body art,
as the theme suggests into this, like,
very high fashion moment.
[Tyla] I like the way the beading is, like,
wrapped around my actual arm.
I love how the front just joins at the bottom
and it's just perfect for the waist.
Like it makes my waist look even more snatched.
So, ooh, I'm excited for that.
And the shoe.
Mm, sexy.
This is Esther on makeup.
So the vibe is feathers
and peacock.
The dress really is my inspo,
so I'm just plucking some colors from the dress
and putting it on her face
in our signature style.
Before I bring my ideas,
I like to hear hers
and just see where we can meet in the middle.
Thank you.
Okay, here we have Coca Michelle.
She's done my nails all three times
I've gone to the Met.
We're going based off the feathers,
peacock vibes,
and the theme is body
and what better way to represent it
than do a really crazy silhouette?
A*POP vibes.
A*POP is my sophomore album.
It's coming 24th of July.
Stream, buy,
pre-save is out now.
I feel like this album I wanted to make
to, like, satisfy my inner child.
I'm from literally South Africa,
like, you know,
I grew up around nature,
I grew up around animals,
I grew up around just that feeling
and I've always been, you know, a tiger.
My fans are tigers,
and we all just embody that animalistic,
imperfect vibe.
The nails, for sure I love.
I don't even know what you did, girl,
but she took 10 hours.
Yep, 10 hours.
10 hours to make these nails,
so they're special.
This is the Chris.
The Chris is crazy.
So explain what you're doing to my head.
This year's Met Gala, of course,
is costume art.
Yusef and I wanted to keep it soft,
but something with structure.
And of course,
we're riding this flow of A*POP,
so we wanna introduce the newest version of Tyla.
We know her for her curly tresses
and we see it in side parts,
we see it down,
so now we pull it up
so we can, like,
really view the beauty,
which is her.
Hey, everybody,
this is the final look.
I love it.
I'm feeling like a goddess artwork.
And yeah, thank you for getting ready with me.
Thank you, Vogue.
See you at the Met.
[chill music]
[photographers yelling]
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