Hudson Williams Turns Into a (Shirtless) Balenciaga Matador at the 2026 Met Gala
Director of Photography: Brandon Yoon
Editors: Michael Suyeda, Katie Wolford
Producer: Michelle Bruno
Producer, On Set: Camille Ramos
Associate Producer: Tabitha Corley
Assistant Camera: Kelley Grade
Audio: Lily van Leeuwen
Production Assistant: Quincy Primus
CondéFuture Intern: Alice Popovych
Stylist: Anastasia Walker
Groomer: Aika Flores
Production Coordinators: Tanía Jones, Skyy Forcer
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors
Assistant Editors: JC Scruggs, Andy Morell
Post Production Coordinators: Holly Frew, Stella Shortino, Jessie Merten
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Supervising Producer: Felicia Kelley
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Programming: Thespena Guatieri
Released on 05/05/2026
Gag it!
Gag it.
[calm music]
Hey, I'm here for my final fitting with Balenciaga.
We're two days away from the Met, you know,
and I'm just so excited.
You know, it's a great team.
I'm just waiting for my stylist, Anastasia Walker,
groomer Aika Flores, and then we'll get into it.
But I'm at the Ritz Carlton.
It's just absolutely a dream.
[calm music]
Oh my god,
Guys.
Oh my God. Hello.
That's- Thank you.
I don't even know if I should touch it.
I know it's too pretty.
Oh.
You see this train? The train.
Crazy.
I don't, guys.
It's the reference.
I can't wear this.
I can't wear this. Let's leave.
It's too nice.
I'm not gonna use profanity,
but that's what I would lead with.
I am just truly sort of taken back,
'cause I've never done something this grand before
and it looks perfect,
but I just can't possibly believe I am gonna be in
that 'cause it's so pretty.
This is Aika Flores, she's my groomer.
She grooms me.
And then this is...
Do you wanna say something?
No [laughs]. Okay.
And this is Anastasia Walker, she's my stylist.
She keeps me bougie and stuff.
[upbeat music]
This year's Met Gala theme is costume art
and the red carpet dress code is fashion is art.
When we heard that the theme was costume art,
we really wanted to pay homage to the house
of Cristobal Balenciaga.
And given that he drew a lot
of inspiration from his Spanish roots
and culture, this particular piece is based off
of Spanish Bullfighters.
It's so cool seeing something
that came from an original reference just being recreated
and like with Pierpaolo's own take on it.
There's like, like these photos I saw
of like these matadors
and they have the kind of pants folded over like this.
That's what this was inspired by.
I don't know, Or maybe I just read it somewhere,
'cause I'm like super well read about
fashion and everything.
I want to wear this.
I will wear it now.
[calm music]
Crazy, it's absolutely crazy.
Oh my God.
Originally we had a high collar,
but we've lowered that a bit.
This is also gonna help accentuate his glam look,
so stay tuned for that.
Wow.
And then by lowering this pant just a bit,
we're just giving body yada yadi, sex.
And it's just cool.
It's just cool, chic relaxed.
We have this very cool wider leg pant,
which is a modern take on the Matador,
instead of it being the traditional tighter fitting.
Usually in scenes, I don't have a train
with me, so I just need to figure out
how I don't get lost in it or trip on it.
Or like maybe just curl up inside of it and cry.
There's so many people that are
gonna be there to help you on the carpet.
It's gonna be so natural.
You're just gonna go, you look pretty.
Right. Hot, Hudson, Hudson.
And you're like, yeah. Mm hmm.
This?
Yeah. That's what I'm giving?
I'm just kind of, stop, stop, stop.
Yeah, yeah, that's it.
Try your walk darling, try a turn.
[upbeat music]
[indistinct] being served.
What's being served?
[Anastasia] Balenciaga, uh uh. And try a real
turn, like if you really were, so you stop, pose, camera,
Hudson, Hudson.
[Anastasia] Boom. Beautiful.
Give them some over the shoulder.
Boom. Yes.
This is beautiful.
I like how it plays sort of with, you know,
like I feel like a matador is sort
of a classically masculine symbol,
but we're still playing with softness and shape and flow
and femininity
and I feel like it's all sort of existing in one thing,
which is really cool for just a guy like me.
We have a couple more tweaks to make,
but I will see you when you're getting ready
with me a little later.
And when I've had more than two hours of sleep.
[upbeat music]
Welcome back guys.
I have had more than two hours of sleep now
and I'm so excited to get ready for the Met.
My first Met.
[Hudson screaming]
[Crew] What were you doing exactly on this day last year?
Hold, I'm checking my camera roll.
I was in Toronto on an off day for Heated Rivalry.
A little show.
Have y'all heard of it?
Oh, I was at the Museum of Art Gallery of Ontario
with my girlfriend Kaitlyn.
And then eventually, I think we met up with Connor
that night and we watched a movie.
What movie did we watch?
I don't remember.
But we kikid and we laughed and we had fun.
So Hudson's a devoted cinephile
and he shared early on that one of his favorite films
is Black Swan.
So we saw an opportunity to kind of work it into the glam
for this Met.
The story we're telling is more purity turning into power.
So white swan losing its innocence
and turning to more powerful, more tailored black swan.
With the hair I wanted it to look like the swan's feathers
and the swan's tail.
With Black Swan, we still wanted it
to be a little bit more
[Hudson] chaotic and freedom. Freedom, reverence.
And reverence.
Stealing my spotlight, this guy.
[tense music]
Blue side is the white swan.
And then here the red is a little bit
of like giving black swan.
In the movie she has the red end, the red eyes trying
to add a little bit of the mess to the black swan side,
you know, the sort of freedom, the chaos.
And then on the blue side we're trying
to add the sort of austere sort of perfect qualities
that the white swan has.
We were talking movies and referencing like movies that
we just find or consider high art
and that, you know, we all sort of agreed on between me
and Aika for the makeup look.
And then when we got the kind of mock up little drawings,
then all, then we thought, oh, these kind of go
with our top options.
The, even though maybe story-wise they're not cohesive,
we felt visually they were.
I feel like in my downtime, which isn't all this,
I'm still shooting a movie so I'm usually just absorbing
as much, reading as much as possible.
Watching as much.
And then social media is purely gone from my phone.
But I've been really liking Night of the Hunter.
I watched it a long, long time ago,
but it's a great fricking movie.
Some of the best cinematography
and the filmmaker only, it was like his one and done.
He made the movie.
It's almost perfect.
So good, so good.
I'm gonna put the look on now after I freshen up
and maybe shut my eyes for a quick 20 seconds
and then I'll see you guys later.
[Hudson giggling]
[bright music]
Bulgari.
We're doing kind of a tasteful amount.
I think this is the piece that really is the piece
and we just have a little pinky ring in case you know,
as I'm holding the train, we got a little pinky ring action.
We got a little earring action as well.
[bright music continues]
This is her, the original that it's based on
Cristobal had, it was more like this,
but it didn't have this little peak of white,
but I think they reinvented it with a really nice way.
But then we tried to kinda like lose it
around the collar completely
and then it just didn't feel cohesive.
It felt like kind of like the white just disappeared.
So then we kind of like spent a lot
of time making this collar action pop.
Pop, pop, pop.
I think we executed the look.
Yeah.
Yeah, I think it's stunning.
He has- And I'll have
my train person.
Yes, you have a train person.
He's happy, I'm happy. Do you see this?
Can we just get into the glow?
Also, congrat, look at this work you've done.
Christ, I really hope it's cold in there,
'cause I'm realizing now...
[Aika] We anticipated, that's why you're shirtless.
He's, he runs hot.
[upbeat music]
This is my look, Met Gala, train, Balenci, Yaga.
That's the show I'm in.
Watch it when it's out.
Go support my boy Connor Storrie.
[upbeat music continues]
Okay, we gotta go but thank you Vogue.
Okay.
Holy shit, here we go.
[grand dramatic music]
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